The art of the kiss
Every romance novel you’ve ever read, with few exceptions, starts out with several things in common. The couple meets. There is an undeniable attraction. Eventually, there’s a first kiss; an important kiss that sets the tone for the rest of the hero and heroine’s relationship.
It is the author’s job to get this initial smooch just right. And, with the help of a popular Internet star, I hope to show you what goes through the author’s mind before their fictional hero and heroine lock lips for the very first time.
The Internet star I’m speaking of is April, a fifteen-year-old giraffe who is expecting a calf any day at the Animal Adventure Park in Harpursville, NY. This will be the fifth calf for April, and the first for Oliver, her five-year-old mate. (Uh-oh. Does this make April a cougar?) A live-feed camera lets visitors view the April’s every move, and several of my Facebook friends seem enthralled with monitoring the long-necked expectant mother.
So, without further ado, here are some things an inspirational romance author like me considers when formulating that first kiss…
Here, whether initiated by the hero or heroine, the invitation for the kiss is waaay too forward. Eyes closed, neck extended, the tongue… Whoa, Nellie. Nix that idea.
Next we have the lips-only kiss. If anyone is going to “practice” this one, it’s going be the heroine. We’ll call her April. April figures tonight’s the night the hero will finally kiss her. So, a little rehearsal is in order.
But what if the hero is a bit more passionate. Or, maybe he’s the aggressive type. What kind of kiss then? April steps up her game and gets a little feistier with her “practice” kiss.
Any way you look at it, the author has to describe that first kiss in a way that will make the reader feel that she is there, feeling the winter wind, the summer breeze, or the grass underneath her toes as the hero delivers what can henceforth never be a “first” again.
Therein lies the daunting task of a romance writer.